Monday, March 18, 2013

Have you ever wanted to make your own hat?



Wow!  Seven days of millinery are coming to the SEFAA Center in April!  That's hats, hats, and more hats in all sizes, shapes, and colors - plain, fancy, and over-the-top.  Join Kay Durden from Kay's Art of Millinery for all seven days or for any combination of the following:

Monday, April 15th - Redesign and Embellish Your Hat:  Change a hat you own from drab to fabulous!  Bring one or two hats, either new and unblocked or previously blocked felt, straw, or covered with all embellishments and glue removed.  Redesign your hat and embellish it with items you bring along such as fabric, jewelry, pendants, etc.  Other embellishments will be  available to purchase.  4 -hr workshop $75

Tuesday, April 16th - Trim and Embellishment Workshop:  Learn techniques for creating various sample embellishments.  Use horsehair, buckram, leaves, millinery wire, yardage goods, and other materials furnished by the instructor. 8-hr workshop $150

Wednesday, April 17th - Creative Covering Workshop:   Learn techniques for using lace, feathers, flowers and other materials you provide. Optionally, cover frames with fabric using one or more techniques of draping, stripping, puffing or layering.  You'll create a custom hat using your supplies and/or one buckram frame of your choice with lining and grosgrain which are included in the workshop cost.  8-hr workshop. $150
Thursday, April 18th - Hat Blocking Workshop:  Hand-block, wire, and embellish felt and straw hat bodies and sinamay that you bring to the workshop.  A combination of 50 traditional and fascinator hat blocks will be available for your use.  8-hr workshop. $125
Friday - Sunday, April 19-21 - 3-Day Covering and Frame-Making Workshop:  $400

  • Day 1 - Frame-making:  Learn to hand-block, wire, and complete as many buckram hat shapes as time permits, using wooden hat blocks and other materials provided. 
  • Day 2 - Covering:  Learn techniques for covering a round crown pillbox and brim of your choice, then cover as many frames as time permits or start the embellishment and lining process. 
  •  Day 3 - Embellishment:  Add embellishments, line, and complete all buckram frames
For more information and to register, please contact Kay at http://www.kaysartofmillinerycalifstyle.com/class-registration.html


Wednesday, January 23, 2013


Fibers and Travel - A Welcome to Linda Cortright


Mmmmmmm, fibers.  The very name evokes a big basket full of rich softness that just begs you to plunge your hands in and mmmmm feel it's lovely softness.  Eyes closed, mind you!  And fibers come from more than just sheep: they come from alpaca, angora, and cashmere and even silkworms.  Of course, there's also quivet, and New Zealand possum, and dozens of other, local, animal fibers that have been with us for centuries.  Some domesticated, some wild, but all natural. 

And fiber enthusiasts enjoy them immensely.  Sometimes our enthusiasm encourages us to go a bit above and beyond on our budgets when we purchase them, and sometimes our love and enjoyment of fibers takes us to places we never thought we'd be.  One woman, Linda Cortright, found herself doing just that:  publishing Wild Fibers Magazine and dedicating her life to "honoring the heart of natural fibers; the animals and people, who typically lead very simple lives so millions may enjoy the fruits of their labor."  

In a year-end email to her Wild Fibers subscribers, Linda eloquently wrote how her life has changed since she began this journey:   

I have spent the past few weeks agonizing over two very different but nonetheless challenging dilemmas. What should I say in my year-end letter to all of you?  Followed by, should I really spend $65 on an electric chicken water heater?

You know, ten years ago I didn't have either of these problems. I had no magazine and I had no chickens. And then somehow life got complicated while I wasn't paying attention, and I think now is as good a time as any to look back and see just how much has changed.

Linda is principal photographer and writer for Wild Fibers.  Their “About Us” page describes them as "The National Geographic of Fibers" and I am hard-pressed to find a better description.  Really.  Their photographs of a local spinner using a drop spindle under a tree in a desert, or a large yak lying at ease on a mountain range DO grab the mind and the imagination, and make one wonder about the culture and the life of these herders, spinners, and their animals.  Linda herself owns a small herd of cashmere goats, she travels the world learning about natural fibers, the peoples who tend their flocks of fleecy animals and their communities, and then she travels some more to give lectures about what she's learned. 

So guess what?!  She's coming to Atlanta to talk to our city of fiber enthusiasts thanks to a "wild" question by Suzi Gough, President of Southeast Fiber Arts Alliance (SEFAA)!  Suzi thought that anyone who does so much traveling must come through ATL on a regular basis, since, after all, we have the busiest airport in the world, right?  Well, turns out Linda has only come through Atlanta once or twice on her travels, and she decided that adding Atlanta as a destination in and of itself was a worthy journey.  And we couldn't agree more! 

With the help of the Peachtree Handspinner's Guild (PHG), Linda is coming to Atlanta on Saturday, March 23rd to share her wisdom and travels and worldviews on fiber and the people who tend these animals, as well as her wicked sense of humor.  The talk will be held at the PHG meeting space: North Decatur Presbyterian Church, and PHG members will help with setup and refreshments and additional promotion.  They are also planning an open house beforehand in conjunction with their monthly meeting, in an effort to introduce folks to spinning and to their Guild.

Please plan to come and attend the lecture.  Even if you don't spin yourself, you certainly have  enthusiasm and appreciation for the fiber arts, and what better way to spend a Saturday afternoon than learning about cultures and animals and fibers from around the world??  After all, our lives are "held together by one very long, long thread."

The fine print:

            Date:  Saturday, March 23rd

            Time:  4-6 pm.  Come early (anytime between 1 and 4 pm) and enjoy spinning and visiting with members of the Peachtree Handspinners Guild.  Stay after the presentation and enjoy light refreshments.  

            Location:  North Decatur Presbyterian Church, 611 Medlock Road, Decatur, GA 30033

            Cost:  $12 for SEFAA and PHG members; $14.50 for non-members

            Registration/Payment:  Please visit http://www.fiberartsalliance.org/home/classes#Cortright

PS  If you'd like to bring a munchie to share for the informal reception after Linda's talk, it will be appreciated by all!

Thursday, December 20, 2012

Lunchtime Fiber - a View from Within



by Susan Nease

For much of this year I have been on a job hunt.  And really, more than that:  a career change.  After selling my retail shop and going on-line, the question has been “what now?  What direction does my life take after going from the day-to-day running a business to something in the working world?”  When I started my shop, “Google” was not yet a verb.  Think about that.  How much technology has changed the way we work and interact.  So rather than take courses about how Excel or Word or Outlook is supposed to work, I jumped right back into working as a temp.  Not always the most glamorous of job titles, but I learned how companies use Excel and Word and Outlook in ways that suit their goals and structure.  And copy machines also scan and fax.  And you can e-mail directly from a document you create.  And . . . you get the picture.

Another thing that has kept me involved in the needle arts here in Atlanta has been this organization, SEFAA.  The part that I play with them is ongoing and helps keep the needlearts wide-reaching in the Southeast.  I had always seen my shop as being a center for outreach and many, many different forms of the needle arts, so joining SEFAA as a volunteer was a “natural fit.” 

And then came decision-time last spring.  I had sought part-time positions for about a year, thinking that a part-time posting would help me keep my on-line business plugging along, help me get my taxes done and in on time, and the like.  Which it did, and I found a great assignment, and plugged away at both.  My on-line site was suddenly growing and my position went to full-time, and I thought it was time to leave and seek another part-time position.

Except that the part-time positions I found were somehow just not right.  Some little thing would make me stop and re-evaluate the position and my goals, and after a while I began to re-evaluate myself, my goals, and my decisions.  And my days.  Loading products onto a website, even if it is mine, can be tedious.  It involves finding different ways to say “green.”  Or “this is a great birth sampler.”  Or “You'll like this product, I know you will.”  And sitting at home, day after day, when I'd been used to interacting with others was becoming more and more difficult. 
 
That was about the time when I made the connection between the work I was doing with SEFAA and my situation.  I was at home during the day, there was an ongoing period of time at the SEFAA center that involved bringing one's project(s), and just basically stitching.  In the middle of the day.  With others.  And there was this needlepoint project I had been working on that I really wanted to keep stitching, and why not explore the possibilities?  I do knitting projects during AKG meetings, so why not get a jump start on a project I had picked up and then put down earlier in the year?  Why not talk about where this project came from and what inspired me to pick it up again?

And suddenly I was hooked:  I came to my first Lunchtime Fiber, then another one, then I met one of my former retail customers working on her unfinished Hardanger piece, then I saw fiber artists painting on fabric, and quilts in the making, and all kinds of glorious things that I would not have seen otherwise.  And my spirits were lifted.  Yes, I was in the middle of re-evaluating my job and career decision and all of the accompanying mid-career stress and self-doubt, but now there were other adults in my life with whom I could talk and share, and even not discuss job hunting at all, but just good old needlework.

Did I mention my spirits lifted and my self-doubts began to minimize?  And that I took the time to decide that I was making a career choice and entering a new career, in part because I was thinking more clearly and interacting with other folks, with whom I felt a common bond?

Knitting in Public is a yearly event, and it is now common to see others knitting in coffee shops or bookstores.  Sometimes it's nice to knit, and sometimes it's nice to be in a little more private space, with incredible lighting (I seldom have to wear my reading glasses to see my needlepoint thanks to the huge windows at SEFAA), and gnosh on a lunch, and talk fiber arts.  Not just knitting, but tatting, and hardanger, and quilting.  And where a project originates (this particular needlepoint was one my mother had bought from my shop and never got around to starting).  And seeing the changes that have arrived at the SEFAA Center, something I have seen envisioned for many years:  bookcases, and a wealth of fiber art, and dedicated volunteers who contribute a Saturday or an afternoon or a Lunchtime to make sure other fiber artists have a space and the inspiration to continue their very own projects or create more.

So all that said . . . I have a few more visits to SEFAA in mind after the start of the new year since I'm working some Tuesdays and not others, and I hope you can make it by sometime.  Rumor has it that there will be a second daytime fiber-oriented get-together coming in 2013, but in the meantime there's the Tuesday Lunchtime Fiber from 10-2.  I know one of my resolutions in the new year will be to stop eating Christmas cookies (in part cuz I'll already have eaten them!), and instead grab a healthy salad type lunch from one of the nearby restaurants and join the talented stitchers and dedicated volunteers in the new year at Lunchtime Fiber.  I hope you can make it, too, and bring one of those pieces you've put down.  Now you'll have an excuse to pick it back up again and see it come to life, right before your eyes!

Monday, November 28, 2011

Interview With Suzi

Hello Fiber Friends!
I hope you’re enjoying your holiday season.  This installment of the “infrequent fiber blog” is a treat – an in-depth interview with our fearless SEFAA president, Suzi Gough.  The super-organized, always-calm Suzi consented to answer some probing questions about her life and work.  I think you will enjoy this peek into the world of a very talented fiber artist …
                                                     Photo of Suzi weaving in Vermont by Alison Pyott
Your name:  Suzi Gough
The General area of GA/Atlanta you live/work in:  Cochran, south of Macon and pretty much in the center of the State.
What type of fiber work do you do and how long have you been doing it?  I’ve been weaving a little over 20 years.
Do you have a general style?  No, I keep getting interested in different techniques and have yet to settle into a specialty or style.
Do you have a most favorite fiber activity?  Definitely weaving.
  Weaving from 2005 by Suzi
A really fun, enjoyable project you have worked on is … the dishtowels I’m weaving now because the warp is colorful and it’s plain weave in 8/2 cotton so it’s weaving up quickly.
A really challenging project you have worked on is…I have a big, unusual loom used to weave Harris Tweed in the Outer Hebrides in Scotland.  It’s wide and takes long (100 yd) warps, so getting the warp yarn on the loom has been challenging.  Also, it’s been a challenge to get the loom itself adjusted and working smoothly. 
Who is your audience?  I don’t generally sell my work, so I guess it’s mainly me.
Tell us about your fiber stash:  Two 8’ high x 4’ wide bookcases filled with yarn plus some more stashed around the room in various places.  Also, one fleece and lots of spinning fiber filling a couple of kitchen cabinets.
Do you collect anything besides fiber/fabric/yarn?  Huntley Palmer biscuit (cookie) tins.
Do you listen to music when you work/create?  What kind?  I don’t listen if I’m trying to think/design, but I’ll listen when I weave or am repairing/finishing up some fabric.  I listen to classical music or old country music.
What is your favorite time of day (or night) to work?  Any time!
Do you have a favorite accomplishment involving fiber?  I had a silk dress make it into the Convergence 2010 fashion show and having it look great on stage was pretty special.
 Suzi ‘s dress, photo by Drew Stauss of Departure Studio
What fiber artists inspire you?  My grandmother whose fabrics woven in the late 50’s still look fantastic today.  She had a great sense of color. 
Do you have favorite shops or suppliers?  Favorite websites?  Favorite tips to share?  I have enough yarn to last a lifetime, so I don’t really shop much anymore unless I’m at Stitches South or Convergence where the vendor’s halls are too good to pass up.  I usually bring a list of what I want/need to a conference and then walk through the vendor’s hall once without buying anything to scope out who has what I’m looking for and at what price.  It’s easier to avoid being overwhelmed or going hog wild that way.
If you couldn’t touch fiber, what kind of artwork would you do?  That’s a tough one.  I can’t draw or paint.  Does gardening count?
Where do you see your work heading?  Are there any new areas of fiber you want to learn or pursue?  Mostly I’d like to spend more time weaving and to be more productive.  I’ve always said that eventually I’d like to sell enough to support my yarn habit, but I still haven’t gotten to that point.  I’d also like to have a 32- or 40-shaft computer-controlled loom some day.
What advice do you have for aspiring fiber artists?  Make time to pursue your interests, find others who have similar interests for support, inspiration, and encouragement and don’t listen when someone tells you “you can’t…”
What does SEFAA mean to you?  It’s important to me to see the fiber arts community interacting and working together and that’s what SEFAA is all about.  I probably won’t come up with an innovative weaving approach or technique and I don’t want to teach, so being involved with SEFAA is my way of giving back and supporting the fiber arts.  SEFAA has been a lot of work, but it’s been enjoyable and it’s really rewarding to see it growing up so nicely!

Wednesday, July 27, 2011

Fiber For All


Hello Fiber Friends.

Last week I met the future of fiber art.  It was a subtle moment, but full of meaning.  There were 16 earnest young artists from the age of almost-six to thirteen.  The “Kids’ Art Camp” of the Senoia, Georgia Cultural Arts Committee took place in the red barn behind The Veranda, a local Bed and Breakfast.  The gracious owner of the inn, a former elementary school teacher, gave us the run of the barn.  We had an air conditioner and four fans and could barely breathe from the heat and humidity.

Day one was photography, day two was painting, day three was my day, and of course it was fiber.  Having taught fiber activities the two previous years that included scrap appliqué on felt and more appliqué on pillows, I felt it was time to step out into new territory.  I didn’t want to hear those horrible little words, “Didn’t we do this last year?”

After wracking my brain for a week or so, I hit upon a brilliant plan: weaving!  Now you need to know that I am NOT a weaver.  I took a few courses from museums and craft teachers in the late 60s (when I was a baby), but they didn’t stick.  I was allergic to raw wool, the natural dyes faded, and it was waaay to slow for me.  That was before I discovered Procion dyes and quilting.  So I was not coming from a place of strength.  But it was getting close to class time and I couldn’t think of anything else.

I turned to my stash of recycled cardboard. Then I began to search the basement for boxes to cut up.  After snipping about a million evenly spaced notches at the top and bottom of each piece, we had looms. 

Discount-store yarn provided the warp and I pulled out the few pieces of solid-color commercial fabric I had acquired over the years. (I am a hand-dyed or printed person.)  Half-inch strips ripped from every hunk of fabric would provide the weft, and they were taped to the end of popsicle sticks as shuttles.  I decided to embrace the wabi-sabi of knots connecting all those strips of fabric.

The kids and I discussed the warp and the weft and woven versus knitted fabric.  After a little training, the volunteers helped to warp the looms. The children learned to rip fabric with abandon and weave with their makeshift shuttles. 

Now here’s where the moment comes in…. I realized that after an hour and a half, all 16 kids were sitting still and weaving.  No one was bolting for the door or gazing at the ceiling, no one whined that they were bored, and all the questions were technical ones about their work.  We actually had to make them stop to go to lunch.

Maybe they liked the destructive quality of fabric ripping; maybe they liked the symmetry of the weave, but their complete focus on fiber was undeniable.  Sixteen little lights of the future will probably never look at a piece of woven cloth in the same way again.  I don’t know what you would call that, but I call it a small miracle …. and the future of Fiber Art.

Claudia Wood

Sunday, June 5, 2011

Yes, Fiber's HOT, HOT, HOT!

Hello Fiber Friends.

After a long, flowery Spring in Georgia this year, the temperature has warmed to nearly boiling.  But one of the hottest things around here and in the wider world is FIBER!  Who would have thought it?

A few examples from the recent past and present:

In April, CBS Sunday Morning did a whole segment on royal embroideries at the court of Henry VIII.  LOTS of people watch CBS Sunday Morning.  The burning question was: Did Henry himself pick up needle and thread and actually stitch?  The Royal School of Needlework is still investigating ...

The April 2011 issue of  Marie Claire magazine, listed Magda Sayeg, the originator of yarn bombing, as the “girl crush” in their Bulletin section (page 122).  No small feat to be noticed by this trendy magazine! www.magdasayeg.com.  (There’s the yarn bombing in Atlanta, too.)

And then there was the Royal Wedding, with an estimated 23 million viewers in the U.S.  What’s the fiber connection?  The Royal School of Needlework was responsible for making the Carrickmacross lace used in Kate Middleton’s wedding gown.  And this was publicized!  Perhaps not every person heard about the lace, but many people did.  And many out of 23 million (plus all those around the world) is a LOT of people.

In October 2011, Penguin Books, a huge mainstream publisher, will publish reprints of three classic books (The Secret Garden, Emma and The Black Stallion) with covers that are photos of imaginative embroideries designed to represent each book.  The fiber artist is Jillian Tamaki, and her creations can be seen on her blog.  The name carried by these special editions is “Penguin Threads”!  How many young readers will see these?

At this very moment in Zebulon, GA, the amazing fiber art of our own member Denny Webster is at home on the walls of A Novel Experience, a wonderful indie bookstore on the main street of town.  Her series of art quilts, “The Ladies,” is a group of women depicted as they “rethink” their lives.  It is well worth the drive to Zebulon. The images, both funny and serious, will stay with you; great storytelling in fiber.  More details on the website of A Novel Experience.

So hold your heads high, fiber people!  Not only is SEFAA finding a wonderful new home in Atlanta, but the world is taking notice of fiber art.

Claudia

Friday, May 13, 2011

SITCHES South


Camille and her sister, Chloe, at STITCHES
Enjoy this guest post from Camille Butera, possibly the youngest STITCHES participant!
 
Stitches South was loads of fun! I enjoyed going to the Market and seeing all the different shops. One really neat shop sold jewelry made out of metal knitting needles. Another store sold a knitting card game! There also were some interesting knitting bags there. I got to see loads of nice yarns and fibers as well. One highlight was trying out a spinning wheel for the first time! There were a lot of different types but I only tried one.

On Saturday I went to “Spinning for Knitting” which was taught by Merike Saarniit; I learned how to ply on a drop spindle there and got to try out lots of different fibers. Plying was very cool to do as I had never done it before (two yarns wrapped around each other). I also got to learn a new type of spindle spinning there. The class had so many different fibers, and I especially loved how soft the angora fiber was; it basically just slid between my fingers! There were lots of other awesome colors and fibers which resulted in a very crazy yarn when plied. I had a great time at Stitches and can't wait to go next year!